Lynne Dakin Hastings,
Hampton National Historic Site
(1986)
, Image: hastings0034
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Lynne Dakin Hastings,
Hampton National Historic Site
(1986)
, Image: hastings0034
   Enlarge and print image (44K)            << PREVIOUS   NEXT >>
29 FIRST FLOOR PLAN Scale: Vi6"Bl'-0" Present Floor Plan, First Story, Hampton Mansion. Each of the four principal parlours in the first story has a decorative overmantel with moulded picture reserve. An early account indicates that "landskips" or landscapes were painted in one or more of these overmantels. The decorative detail is most elaborate in the Great Hall, the Drawing Room and the Dining Room, as one might expect. Although "random width" floors today are considered "antique," the wealthiest home owners of this earlier period wanted carefully matched floor boards and Captain Ridgely had the financial resources to install them. The pine wood flooring on the first level is very precisely cut and placed. Not as much attention was paid to the floors on the second and third levels, although they too are finely constructed. Walls and ceilings throughout are plastered with carved or moulded wood cornices, chairrails, wainscoting and baseboards. Ceiling height is 13'8" for the first and second stories. The initial painting of the interior did not begin until April 1791. Richard Jones of Fells Point and two assistants worked for eight weeks to complete the job, which cost almost 72 pounds, including the paint. The first colors used were yellow, blue, purple brown, vermillion, "Litherage of Gold," "Prussian Bleu," "Verdigrease Green," "Patent Yellow," umber, stone ocher, red lead, lamp black, and white lead. Great Hall The first story is dominated by a central or "Great" hall, measuring 51 by 21 feet. Like most ornamentation throughout the house, its classical details conform to the Roman Doric order. A versatile room used for parties, balls, receptions and large dinners, the Great Hall spans the depth of the house, opening to the heart-shaped carriage drive on the north and to the gardens on the south. Such a design created a primary axis which, if drawn on paper, runs through the center of the gardens, down the central Great Hall, across the north lawn, bisects the farm property, and culminates at the site of the iron- works to the north at Loch Raven. Space in the Great Hall could be expanded by the use of the porticoes in warmer months.