Charmed Life: Mother Figure
By Tom Chalkley
A bronze plaque identifies 1320 Eutaw Place as the Lillie Carroll Jackson
Museum, but dusty blinds on the front door communicate that the building
has
been closed for years. Locked and lightless, the stately rowhouse provides
an
appropriate symbol for Jackson's memory, which has itself gathered dust
since
her death 25 years ago.
In the 1930s, this Baltimore-born crusader, known to her contemporaries
as
"Dr. Lillie" and "Ma Jackson," pioneered the nonviolent tactics that would
bring an
end to legal racial segregation decades later. "Without a doubt," says
Louis
Fields, executive director of the Baltimore African American Tourism Council,
Jackson was "the mother of the civil-rights movement. She did her work
at a time when Rosa Parks and Martin Luther King hadn't even been heard
of."
"Mother," in Jackson's case, is more than an honorific. She was, literally,
the
matriarch of Baltimore's black leadership. Her daughter and fellow activist,
Juanita Jackson Mitchell, became the lead counsel for the Baltimore chapter
of
National Association for the Advancement of Colored People (NAACP);
Jackson's son-in-law, Clarence Mitchell Sr., served as the NAACP's chief
national lobbyist; her descendants include state Sen. Clarence Mitchell
IV and
Baltimore City Council member Keiffer Mitchell. In her own right, Lillie
Carroll
Jackson presided over the NAACP's Baltimore chapter from 1935 to 1970,
building it from a dispirited handful of members into the largest chapter
in the
nation.
Jackson's greatest achievement, however, was leading a series of legal,
legislative, and grass-roots campaigns that dismantled Maryland's system
of
racial segregation and provided models that would be replicated throughout
the
United States. In 1931, she and her daughter Juanita--who was then 18 years
of
age--organized a street-level campaign under the slogan "Buy Where You
Can
Work," persuading black Baltimoreans to boycott businesses with racist
employment policies. In 1942, she began a massive drive to register black
voters.
Many of her successes came through her personal powers of persuasion--and
tireless nagging. Maryland Gov. Theodore McKeldin famously said, "I'd rather
have the devil after me than Mrs. Jackson. Give her what she wants."
The biggest victories came about through the Baltimore NAACP's legal pressure:
equalization of pay for white and black teachers in public schools (1938);
the end
of whites-only admissions at the University of Maryland School of Law (1953);
the passage of Baltimore's Fair Employment Practices law (1958); and
desegregation of facilities ranging from city golf courses and swimming
pools to
state parks and public schools. The latter victories were spearheaded by
Juanita
Mitchell--under her mother's supervision.
Born in Baltimore on May 25, 1889, Lillie Carroll grew up in a proud family
that
traced its lineage to a free African-born man who settled in Maryland,
John
Bowen, and to Charles Carroll of Carrollton, a signer of the Declaration
of
Independence. In 1908, she married Keiffer Jackson, a Methodist evangelist
who
toured the country showing religious and educational movies. Lillie Jackson's
brand of social agitation grew directly from her religious philosophy,
foreshadowing the nonviolent practices of Martin Luther King Jr. She taught
her
children "not to hate," Jackson told the Evening Sun in 1969. But, she
added, "it
does not mean that because we do not hate that we do not fight."
Jackson's aphorisms warrant their own page in Bartlett's. "Freedom isn't
free,"
was a favorite saying; another went, "God opened my mouth and no man can
shut it." Anticipating Jesse Jackson, she routinely exhorted followers
to "be
somebody."
In her will, Lillie Jackson called for her Eutaw Place home, where she
lived for
22 years, to become a civil-rights museum; the bronze plaque on the building
was
cast two years before her death. Consisting mainly of framed memorabilia
and
household furnishings as the Jacksons had left them, the museum opened
in 1976
and enjoyed a modest but steady stream of visitors up to the middle of
1990. By
then, the house had deteriorated to the point where maintenance was
unaffordable.
In 1997, the house was placed in the care of Morgan State University. According
to Gabriel Tenabe, director of Morgan's James Lewis Museum, plans have
been
drawn for renovations and for the installation of an elevator, but the
project is
stalled for lack of funds. Donations to the Morgan State Foundation, Tenabe
says, can help the university win matching money offered by the state of
Maryland some years ago. In the meantime, the paint peels and the dust
gathers;
much archival material has been removed from the house for safe storage.
In view of race relations and the overall state of black Americans, it
might be said
that "Ma" Jackson's legacy is as badly off as the house on Eutaw Place.
The
edifice--the laws and policies she helped establish--still stands, but
it needs a lot
of work.
© 2000 Baltimore City Paper