The CBS Report That Helped 'Silent Spring' Be Heard
By Linton Weeks
Washington Post Staff Writer
Wednesday, March 21, 2007; C01
Before global warming was hot and Al Gore was cool, there was Rachel
Carson, the maverick marine biologist from Silver Spring who sounded an
environmental-awareness alarm. Memories of her work return periodically
to remind us how far we have come in making the world a safer place,
and how far we have to go.
Her 1962 manifesto "Silent Spring" -- in which she envisioned a planet
imperiled by pesticides -- is still taught in schools and universities
around the world. Each Earth Day her name is invoked as a godmother of
the green movement. And now comes a screening of a 1963 "CBS Reports"
episode, "The Silent Spring of Rachel Carson."
There is, in the hour-long, black-and-white warning, a sort of
retrospectral sense, an I-told-you-so from beyond the grave. Up against
a smooth-talking scientist and befuddled bureaucrats, Carson cuts
through the hazmat haze and warns that widespread use of biocidal
chemicals will silence birds, still fishes and destroy innocent plant
life.
The film, which has pretty much been locked away in the network's
vaults since it originally aired, will be shown tomorrow night at the
National Archives as part of the Environmental Film Festival. In
addition, there will be a month-long exhibit of documents to honor
Carson in the centennial year of her birth. She died of cancer in 1964.
With the underlying reportage of Eric Sevareid's investigative team,
the TV report validates Carson's findings. And the world around us --
with the collapse of bee colonies, reduced fish populations and other
natural deteriorations -- validates Carson's warnings, says Diana Post,
executive director of the Rachel Carson Council in Silver Spring. The
group, established by Carson's friends in 1965 to honor her work,
champions organic foods and alternative methods of pest control.
The CBS news show "brought the message of 'Silent Spring' to many
people who maybe hadn't read the book," Post says. The council
headquarters is in the Silver Spring home where Carson lived when she
wrote 'Silent Spring' and where she raised Roger Christie, the
great-nephew she adopted when his mother died. Another popular Carson
book, "The Sense of Wonder," was published after her death. In it, she
introduces young Roger to the marvels of nature.
Post will speak at the screening, as will Christie, who is 55 now. He
has teenage children, lives in Massachusetts and is a recording
engineer. By phone, he remembers his Silver Spring upbringing -- the
neighborhood, Quaint Acres, and the Cynthia Warner School in Takoma
Park.
Carson, who lived in Silver Spring from 1937 until her death, was a lab
instructor in zoology at the University of Maryland, then a writer and
editor at the U.S. Fish and Wildlife Service until she retired in 1952
to write full time.
Christie recalls his excursions into the wild with her. "She would lie
for hours on a blanket in the woods up in Maine and see what would come
and go." Sometimes the bird-watching outings, he says, "were a little
too boring for me."
As she researched "Silent Spring," Christie says, she knew she didn't
have long to live, "but she was determined to finish the book." She
died just a few weeks shy of her 57th birthday.
Excerpts were published first in the New Yorker in the summer of 1962.
The book appeared that fall and became a Book-of-the-Month selection
and a national bestseller. The CBS report was filmed soon thereafter;
by then, Carson was undergoing radiation therapy, Post says, and she
was wearing a wig. "She was not in a happy state physically."
But she was on a mission.
In the report, Sevareid imparts a ton of information, giving both sides
room enough to ruminate. He traces the postwar development of the
pesticide industry and says that each year the environment is bombarded
with 900 million pounds of pesticide. This was back when a "60
Minutes"-type story lasted a full 60 minutes. There are interviews and
readings from newspaper excerpts. There is period film footage,
including a shot of kids walking along a street in the contrails of a
mosquito-fogging truck.
Proponents of pesticides point out their benefits in the film. "When
pesticides, registered pesticides, are used in accordance with label
instructions and recommendations, then there is no danger to either man
or to animals and wildlife," said Robert White-Stephens, a spokesman
for American Cyanamid. In black-rimmed glasses and lab coat, surrounded
by beakers and lab equipment, he is the perfect counterpoint to Carson,
who sits on a porch or in a den and comes across as a straightforward,
nature-loving schoolteacher. Representatives from the federal
government argue throughout the report that chemicals curb disease and
save lives.
In a dark suit and flanked by a typewriter and books, Carson says, "We
have to remember that children born today are exposed to these
chemicals from birth, perhaps even before birth. Now what is going to
happen to them in adult life as a result of that exposure? We simply
don't know."
Diana Post says, "I was impressed with the fact that the government
officials in the film were so forthcoming to speak with reporters. But
I also felt that they were not as familiar with the subject as they
should have been." The commissioner of the Food and Drug Administration
said the book "causes all of us to take a new look at our
responsibilities to the general public."
Secretary of Agriculture Orville Freeman told CBS that he thought the
book would help the American people by "alerting them that we need to
do more work, but we also need to be personally conscious. This is like
anything else. The government isn't going to do it for you."
One person who did have working knowledge of Carson's thesis: President
John F. Kennedy, who mentions her work at a news conference in the film.
So in more than 40 years, has anything changed?
Well, yes. Some substances, such as DDT, have been banned and the
Environmental Protection Agency was formed. But others insist Carson's
work hasn't been fulfilled. Citing an EPA report, Post says, "It's a
paradox that right now we are using pesticides at a greater rate than
when 'Silent Spring' was published."
Post adds: "The implication of that film is that we need to do a
massive amount of research and consider these conditions being caused
by chemicals. We haven't done all those things to a satisfactory
degree."
© 2007 The Washington Post Company