# Peabody_paper

Subject:
The Fortune Teller (inscribed date, unknown)


Subject:
Oeuvres de Clermont: Group of Woman and Children

Medium:
Black chalk, pen and brwon ink, brown wash


Medium:
Pen and brown ink, gray wash heightened with white


Subject:
A Monk with a Donkey on a Mountain Track

Medium:
Pen and brown ink, brown wash, heightened with white


Subject:
A Drummer and Other Calvarymen [previously attributed to Van Der Meulen]


Medium:
Black chalk, pen and black ink on brown paper


Artist:
LANCELOT THEODORE COMTE DE TURPIN DE CRISSE


Medium:
Black chalk, pen and brown ink, brush and wash


Medium:
Pen and brown ink, gray, blue and purple wash


Medium:
Black chalk, pen and gray ink, gray wash


Medium:
Black chalk, pen and brown ink, brown wash


Subject:
A Woman with a Spindle and other People near a Tree


Medium:
Black chalk, pen and brown ink, gray wash


Subject:
Palestine. Jerusalem, view of Mt. Zion...


Subject:
Study of Three Heads after the 'Sabines,' Repetition Libres des Sabines


Notes:
October 22 1841. Small caravan crossing bridge, figure seated on stool in foreground


Subject:
Nile. Nubia. Wady Halfa...above the 2nd cataract


Subject:
Turkey. Asia Minor...Aquaducts over the Meles


Notes:
October 1841. River scene with tall ships and port


Notes:
Tuesday 15 March 1842. Lake, mountains, figures mounted on camels


Subject:
Pensinula of Sinai...after leaving our campground at the Palms


Subject:
Pensinula of Sinai. The Rock of Moses...


Notes:
Ruins in foreground, valley and hills behind

Notes 2:
Paper torn, edges very brittle with losses


Subject:
The Walls of Rome with the Pyramid of Cestus


Notes:
Two Greek columns in forground, trees and hills behind


Notes:
Fortress on hill, grove of trees in forground


Notes:
Interior of cave/rock formation with figures, horse, donkey


Notes:
Two men and their horses resting at the site of ruins


Subject:
Desert of...Petra. Setting out from Akaba


Notes:
Native peoples at a house, 1 horse, hills behind


Notes:
'Baalbec...door of the Temple of the Sun...20th May 1842'


Artist:
JACOPO CHIMENTI (A.K.A. JACOPO DA EMPOLI)

Subject:
The Madonna and Child (recto); and Arm (verso)


Notes:
Oct. 22 1841. Paved mountain road with aquaduct


Notes:
Greek/Roman ruins, valley and hills behind


Subject:
Saint Anthony of Padua and Another Saint


Subject:
A Man in 16th Century Costume with his Son


Medium:
Pen and brown ink, gray wash, squared in black chalk


Medium:
Black chalk, pen and black ink, brown wash


Derivation:
After Carlo Maratti (Italian, 1625-1713)


Subject:
A Martyrdom (recto); Studies of the Annunciation in the manner of Trevisani (verso)


Medium:
Black chalk, pen and brown ink with grey wash


Subject:
The Madonna and Child in a Frame with Putti

Notes 2:
Arms of Corsini; dedication from Lorenzo Cocci (verso)


Subject:
Ships Being Burnt on a Shore with Figures Nearby


Subject:
The Madonna and Child with St. Catherine


Subject:
A Soldier with a Nude Girl in a Landscape


Subject:
Design for a Monument to Louis XVI (with assorted documents)


Subject:
View from Via Garibaldi toward the Salute


Notes 2:
(Sisto Baldalacchio?, aft. drawing in PA Academy)


Subject:
Christ Among the Doctors:  Design for a Ceiling


Subject:
Juno Appearing to a Prince Surveying a Fleet

Medium:
Blck chalk, pen and brown ink, brown wash


Notes 2:
Formerly CIRCLE OF..See article in R.O. Peabody files (May 1996)


Subject:
Study for a Memorial to Marchesa Anna Rondaninia

Medium:
Red and black chalk heightened with white


Subject:
Design for the Decoration of a Door with a Landscape


Subject:
4 Drawings on One Mount: A Dove and Cherubim


Subject:
8 Drawings on One Mount: Studies of the Virgin


Subject:
St. James with a Picture of the Madonna and Child and other Figures


Subject:
An Allegory in Honor of a Cardinal of the Meici Family. Design for a Ceiling

Medium:
Black chalk, pen and brown ink, and gray wash


Subject:
An Allegory of Religion: Design for a Ceiling


Subject:
Jupiter with Mars and Minerva: Design for a Ceiling


Subject:
God the Father and a Head [after Raphael]


Subject:
An Allegory with Two Queens and Flags Borne by Putti and a Genius


Medium:
Black chalk, pen and black ink, squared in black chalk


Medium:
Black chalk and pastel, brown wash, heightened with white


Subject:
The Judgement of Solomon (recto); David (verso)


Subject:
A Statue of the Madonna and Child in an Apple Tree, with the Banishment of Evil


Subject:
The Virgin in Glory with the Trinity and St. Michael


Subject:
The Madonna and Child Appearing to Five Saints


Subject:
A Statue of the Madonna and Child with the Trinity


Medium:
Watercolor heightened with white, over etched outlines


Subject:
A Relief with Female Figure, Butterflies and a Dove at the Sides


Artist:
CIRCLE OF FRANCESCO MONTELATICCI, CALLED CECCO BRAVO


Subject:
Park Landscape with River, Town in Background


Medium:
Pen and gray ink, gray wash, heightened with white


Medium:
Watercolor heightened with white on blue paper


Medium:
Pencil, brown wash heightened with white


Subject:
The Aldobrandini Wedding [after the Antique]


Medium:
Pencil heightened with white on brown paper


Subject:
The Virgin in Prayer (recto); Part of the Last Judgement (verso)


Medium:
Pen and brown ink, brown wash, heightened with white on blue paper


Subject:
Design for a Monument: Marcgese of the Bourbon del Monte Family


Medium:
Brush and brown ink and wash, heightened with white


Subject:
A Woman with Two Maids Carrying her Train


Medium:
Pen and brown ink, brown wash, squared in red chalk


Subject:
2 Drawings: Putti: for a Frontispiece to Vasari's 'Vite'


Subject:
9 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Measurements:
Mount: 605 x 457 mm.; drawings: 111 x 72 mm. (approx.)


Subject:
10 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Measurements:
Mount: 599 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Medium:
Black, red, pink, and white chalk on light brown paper


Measurements:
Mount: 603 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Subject:
The Interior of a Deconsecrated Church seen through a Door


Subject:
The Infant Samuel [after Sir Joshua Reynolds]


Subject:
The Sacrifice of a Lamb: Frontispiece Design

Medium:
Blue wash heightened with white on blue preparation


Subject:
A Classical Scene (recto); a Goddess (verso)


Subject:
Figure Study: 'Fragment Study for D.O. Mills Frieze'


Subject:
56 Drawings: Portfolio of Sketches made in Europe and the Middle East,


Medium:
Pen and brush and brown ink, watercolor over black chalk


Subject:
Sottoportego del partio dei Bijali, Venice

Medium:
Pencil, pen and brown ink, and watercolor


Subject:
Portrait of a Child: Young Boy in Bow Tie


Subject:
Figure Study: 'Drawing for Illustration'


Medium:
Red chalk and watercolor, heightened with white


Subject:
Figures with a Bull, a Hare, and a Pig [after the Antique]

Medium:
Black chalk, brown wash, heightened with white


Subject:
Portrait of a Child in Close Fitting Cap


Subject:
The Madonna del Giglio Appearing to Two Saints


Notes:
Roman ruin along a road with caravan on camels


Notes:
Ruins in landscape, hill fortress behind


Subject:
Scene of 'Wady Kahan' ('Chain of Mountains'); Landscape with Camels (verso)


Subject:
Study of Hills (recto); Study of Egyptian Ruins, with Hieroglyphics


Notes:
Village and mosque, ruins behind; study of donkey at lower left


Subject:
Portrait of a Judge; verso with nude study


Notes:
Figure standing in front of Roman temple ruin


Notes:
Base of Roman frieze, native sitting next to it


Subject:
Title Page for the Tragedies of Aeschylus


Notes:
Tuesday 8 March 1842. 3 mounted horsemen in a landscape


Notes:
Wednesday 9 March 1842. Figures in front of a tree


Notes:
4 native figures, 1 with rifle, sitting on the bank of the Nile, village and boats beyond


Notes:
Dessert and mountain landscape. Tuesday 8 March 1842


Notes:
Monday morning 7 March 1842. Caravan scene

Notes 2:
Upper left corner separated from rest of sheet


Medium:
Pencil, pen and brown ink, heightened with white


Subject:
Guido sent by Livia (recto); Antonius (verso)

Medium:
Pen and brown ink, brown wash, heightened with ehite


Subject:
A Woman with her Dog [in the manner of Metso]


Subject:
Woman Bathing in the Courtyard of a Harem


Subject:
A Sick Woman in a Garret with Her Relations


Subject:
Partridge Island, St. John's Island, Bay of Fundy


Artist:
CIRCLE OF ANTOINE CHARLES HORACE (CARLE) VERNET


Subject:
A Mother and Daughter by a Grave, beside a Alpine Lake


Medium:
Pen and brown ink, watercolor heightened with white


Derivation:
After Adam Frans van der Meuler (Belgian, died 1690)


Derivation:
After Corrado Giaquinto (Italian, 1690-1765)

Medium:
Brown wash heightened with white on gray preparation


Subject:
Suffer the Little Children to Come unto Me


Subject:
An Owl, Birds  and a Kite above Chimney Stacks and a Spire


Derivation:
After Paolo Veronese (Italian, 1528-1588)


Derivation:
After Louis De Boullogne, Elder or Younger (Italian, 1609-1674 or 1654-1733)


Subject:
S. Maria della Salute, Venice (recto); S. Gervasio e Protasio (verso)

Medium:
Black chalk, pen and brown ink, gray wash, heightened with white


Medium:
Pencil, pen and black ink, and watercolor heightened with white


Artist:
CIRCLE OF HENRY FUSELI [JOHANN HEINRICH FÜSSLI]


Medium:
Pen and brown ink, watercolor, heightened with white


Subject:
Chapelle de Rosny (inscribed date, unknown)


Subject:
Cartouche for Framing an Earlier Portrait of a Woman


Derivation:
After Ryamond De La Fage (French, 1650-1684)


Medium:
Brown chalk, pen and brown ink, grey wash


Medium:
Black chalk, gray wash heightened with white, squared


Medium:
Watercolor heightened with white on brown paper


Subject:
Costumes at Pera: Two Figures, One in Green Costume and Blue Sash


Subject:
Costumes at Pera: Figure in Tall Black Hat, wearing Blue Cloak


Derivation:
After Denys Calvaert (Flemish, 1540-1619)


Subject:
Costumes at Pera: Two Figures wearing Cloaks and Head Wrappings


Subject:
Costumes at Pera: Three Figures, Two wearing Fezzes


Subject:
Costumes at Pera: Figure wearing Tall Green Hat and Red Cloak, Carrying a Pipe(?)


Subject:
A Girl with a Doll on Steps, Seen through a Door

Medium:
Red chalk, pen and brown ink, gray wash, heightened with white


Subject:
Castle Near the Coast (Cattle and Shepherds in Landscape)


Medium:
Black lead, pen and brown ink, blue and gray wash


Medium:
Red and black chalk, heightened with white


Subject:
An Angler on a River Seen through a Natural Arch


Medium:
Pen and black ink, gray wash, heightened with white


Artist:
ATTR. TO GIOVANNI-BATTISTA BUSIRI (OR BUSIERI)


Artist:
ATTR. TO FERDINAND VICTOR EUGENE DELACROIX


Subject:
The Virgin in Glory: Design for a Ceiling

Medium:
Black chalk, pen and brown ink, gray wash, squared in black


Subject:
The Assumption of the Virgin. Design for a Ceiling (recto/verso)


Notes 2:
Attr. changed 8/9/90 by Lindsay Stainton, Asst Keeper British Mus.; previously attributed to Mortimer


Subject:
Fame Scattering Flowers: A Masque Design

Medium:
Black chalk, pen and brown ink, and watercolor


Medium:
Pencil and watercolor, heightened with white


Artist:
ATTRIB. TO JEAN PIERRE-LOUIS-LAURENT HOUEL


Artist:
ATTR. TO LODEWIJK TOEPUT, IL POZZOSERRATO


Artist:
ATTR. TO LOUIS DE BOULLOGNE, ELDER OR YOUNGER

Medium:
Red chalk, pen and brown ink, brown wash, heightened with white


Measurements:
Mount: 602 x 453 mm.; drawings: 111 x 72 mm. (approx.)


Subject:
Village on a River, Boatman in Foreground


Subject:
Studies for a Classical Composition (recto/verso)


Subject:
View of the Bacino di S. Marco from the  Riva degli Schiavone


Subject:
A Distant View of Vesuvius and Peasant Woman Dancing


Medium:
Pen and black ink, gray wash, heightened with white on brown paper


Subject:
A Fountain in Terraced Garden, a Castle Beyond


Subject:
Sketchbook: Views and Studies made in Italy, Sicily, Greece, Egypt, and Malta


Subject:
The Entombment [after a drawing by Raphael]


Subject:
Sketchbook: Views and Studies made in Italy and elsewhere on the Continet


Subject:
Sketchbook: Views of the Lake District and elsewhere


Subject:
John P. Kennedy House, Mount Vernon Place


Subject:
Sketchbook: Views and Studies made in Italy and elsewhere


Subject:
The Assumption of the Virgin, a Roundel Borne by Angels

Medium:
Red wash heightened with white (oxidized)


Derivation:
After Gillis Sadeler (Belgian, 1570-1629)


Subject:
European City with Arched Gate, Children Playing in Road


Subject:
A Fotress in Pomerania, Beseiged by the Imperial Army under Conte ?


Medium:
Pen and brown ink, blue and gray wash on gray paper


Subject:
General John Eager Howard's Residence on McKim's Hill


Subject:
A Sketch Book of Designs for Religios and Historical Compositions, Studies after the Antique, and Life


Subject:
Pair of Head Studies: Young Man and Girl


Subject:
Portrait of a Young Girl with Wreath of Leaves and Berries in her Hair


Subject:
Portrait of a Woman with Laurel(?) Wreath in her Hair


Medium:
Black and white chalk on gray preparation


Medium:
Red chalk, pen and brown ink, brown wash


Derivation:
After Federico Barocci (Italian, died 1612)


Medium:
Red chalk, pen and brown ink, red and gray wash


Subject:
Profile Portrait of a Woman in Fancy Hat [manner of Sir Joshua Reynolds]


Subject:
Landscape Studies of Egypt (recto/verso)


Derivation:
After Francesco Albani (Italian, 1578-1660)


Subject:
Christ with Two Angels (recto); The Brazen Serpent (verso)


Medium:
Black chalk, pen and brown ink, grey wash


Medium:
Pen and brown ink, brown wash on gray paper


Medium:
Pen and brown ink, heightened with white on brown paper


Medium:
Black and white chalk on pink preparation


Subject:
Silenus and other studies (recto); The Nativity (verso)


Medium:
Watercolor heightened with white on blue toned paper


Medium:
Watercolor heightened with white on light blue paper


Medium:
Watercolor; pencil study of a torso on verso


Subject:
The Angel Appearing to Saint Peter in Prison (recto)

Medium:
Pen and brown ink, brown wash, squared in black chalk


Subject:
Botanical Study: Pink Flowers of Small Branch


Subject:
Botanical Study: Hibiscus and Other Flowers

Medium:
Watercolor heightened with white on light brown paper


Subject:
Botanical Study: Pink Flowers of a Branch


Medium:
Black and white chalk, squared in blue chalk on blue paper


Medium:
Black chalk on gray (originally blue) paper


Medium:
Pen and brown ink, squared in black chalk


# Peabody_paper97

Subject:
The Fortune Teller (inscribed date, unknown)


Subject:
Oeuvres de Clermont: Group of Woman and Children

Medium:
Black chalk, pen and brwon ink, brown wash


Inscriptions:
Recto bottom left in ink "Bruno 1750"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Bruno 1750"; Recto, bottom right in ink "Roma 1843"


Medium:
Pen and brown ink, gray wash heightened with white


Subject:
A Monk with a Donkey on a Mountain Track

Medium:
Pen and brown ink, brown wash, heightened with white


Notes:
Artprice.com Cdroms, March 2001. $15,000


Subject:
A Drummer and Other Calvarymen [previously attributed to Van Der Meulen]


Inscriptions:
Recto, bottom right in ink "Baltimore 1845 bo RS Gilmore Collection"


Artist:
LANCELOT THEODORE COMTE DE TURPIN DE CRISSE


Medium:
Black chalk, pen and brown ink, brush and wash


Inscriptions:
Recto, bottom left in ink "Domenico U Bruno"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom right in ink "Roma 1843"; Signed by artist on bottom left in charcoal pencil


Inscriptions:
Bottom right in ink "Rome 1843"; signed by artist in the same media as image, bottom left corner "Bruno"


Inscriptions:
Recto, bottom right in ink "Roma 184?"; Verso, center in pencil "Roma 1843"


Medium:
Recto, pencil drawing; Verso, pencil and watercolor sketches


Medium:
Ink drawing and wash, pencil sketch on verso

Inscriptions:
Recto, bottom left in ink "Domenico Bruno 1746"; Bottom right in ink "Roma 1843"


Medium:
Ink drawing and wash over charcoal pencil

Inscriptions:
Recto, bottom left ink "Bruno 1750"; Bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Verso, center in pencil "roma 1843"


Inscriptions:
Recto, bottom left in ink "D. Bruno" in pencil "1746"; Recto, bottom right in ink "Roma 1843"


Medium:
Black chalk, pen and brown ink, brown wash


Inscriptions:
Bottom right "Rome 1843"; signed by the artist, bottom left in ink "Domenico Bruno"


Inscriptions:
Recto, bottom left in ink "Bruno 1750"; Recto, bottom right in ink "Rome 1843"


Subject:
A Woman with a Spindle and other People near a Tree

Inscriptions:
Recto, bottom right in ink" Florence 1843"


Inscriptions:
Recto, bottom left in pencil "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Domenico U Bruno 1746"; Recto, right in ink "Roma 1843"


Inscriptions:
Recto, left in ink "Roma 1843"; Verso, center "Roma 1843"


Inscriptions:
Recto, bottom right in ink "Roma 1843"; signed by the artist on bottom left in charcoal pencil "Bruno"


Inscriptions:
Recto, bottom center in ink "Roma 1843"; appears to be signed in charcoal pencil, bottom left


Subject:
Palestine. Jerusalem, view of Mt. Zion...


Inscriptions:
Recto, bottom right in pencil "Rome 1843"


Subject:
Study of Three Heads after the 'Sabines,' Repetition Libres des Sabines

Notes:
Artprice.com Cdroms, March 2001. $30,000


Inscriptions:
Recto, bottom left in pencil "Rome 1843"; Bottom left are some other notes in pencil below the drawing


Notes:
October 22 1841. Small caravan crossing bridge, figure seated on stool in foreground


Subject:
Nile. Nubia. Wady Halfa...above the 2nd cataract


Subject:
Turkey. Asia Minor...Aquaducts over the Meles


Notes:
October 1841. River scene with tall ships and port


Notes:
Tuesday 15 March 1842. Lake, mountains, figures mounted on camels


Subject:
Pensinula of Sinai...after leaving our campground at the Palms


Subject:
Pensinula of Sinai. The Rock of Moses...


Notes:
Ruins in foreground, valley and hills behind

Notes 2:
Paper torn, edges very brittle with losses


Subject:
The Walls of Rome with the Pyramid of Cestus


Notes:
Two Greek columns in forground, trees and hills behind


Notes:
Fortress on hill, grove of trees in forground


Notes:
Interior of cave/rock formation with figures, horse, donkey


Notes:
Two men and their horses resting at the site of ruins


Subject:
Desert of...Petra. Setting out from Akaba


Notes:
Native peoples at a house, 1 horse, hills behind


Notes:
'Baalbec...door of the Temple of the Sun...20th May 1842'


Artist:
JACOPO CHIMENTI (A.K.A. JACOPO DA EMPOLI)

Subject:
The Madonna and Child (recto); and Arm (verso)


Notes:
Oct. 22 1841. Paved mountain road with aquaduct


Notes:
Greek/Roman ruins, valley and hills behind


Inscriptions:
Recto, bottom left in ink "Florence 1843"; Recto, bottom righ in ink "Florence 1843"


Inscriptions:
Recto, bottom left in ink "Florence 1843"


Subject:
Saint Anthony of Padua and Another Saint


Inscriptions:
Recto, bottom right in ink "Florence 1843"


Inscriptions:
Bottom left in pencil "1648"; Bottom right in ink "Roma 1843"


Medium:
Ink drawing and wash with white highlights


Medium:
Recto, ink drawing with wash; Verso, ink sketch


Medium:
Iron gall ink drawing and wash over pencil sketch


Subject:
A Man in 16th Century Costume with his Son


Medium:
Charcoal pencil and conte crayon accents


Inscriptions:
Recto, bottom right in ink "Baltimore 1845-60 R S"


Inscriptions:
Recto, bottom left in ink "Rome 1843"; Verso, in ink, illegible.


Medium:
Ink drawing with a few details in charcoal pencil

Inscriptions:
Recto, bottom right in ink "Baltimore 1845 RS"


Medium:
Black chalk, pen and black ink, brown wash


Medium:
Iron gall ink and wash over charcoal pencil


Derivation:
After Carlo Maratti (Italian, 1625-1713)


Medium:
Pencil drawing with very light chalk highlights

Inscriptions:
Recto, bottom left and center in ink "Rome 1843"


Inscriptions:
Recto, bottom left in ink "Florence 1843"; Recto, bottom right in ink "Moro" (?)


Medium:
Charcoal pencil, chalk highlights and ink border


Inscriptions:
Recto, bottom left corner in ink "Roma 1843 Domenice"


Inscriptions:
Recto, bottom left in ink "Rome 1843" and pencil "1581-1647"; On right in pencil there is an illegible signature


Inscriptions:
Recto, bottom right in ink "Florence 1843"; Recto, bottom left in pencil "Del Rofro Fiorentino 1466-1541"


Subject:
A Martyrdom (recto); Studies of the Annunciation in the manner of Trevisani (verso)


Inscriptions:
Recto, bottom left corner in ink "Varotti"; Recto, bottom right corner in ink "1843 Florence"


Inscriptions:
Bottom in ink "Francesco Trevisani nato in Trevisi Ad 1656 secolare(?) di anthonio Lanchi Venezia"


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Bottom right in pencil "Salvator Rosey"


Inscriptions:
Recto, bottom left in ink "Palma Giovine"; Recto, bottom right in ink "Florence 1843"


Inscriptions:
Recto, bottom left in ink "Betruzzi"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Sebastiano 16th c."; Recto, bottom right in ink "Florence 1843"


Medium:
Ink drawing and wash with white gouache highlights

Inscriptions:
Recto, bottom left in ink "Palma diGiovani (?) over pencil signature; dates in pencil "1644-1628" (?); Left in ink "Florence 1843"


Subject:
The Madonna and Child in a Frame with Putti

Notes 2:
Arms of Corsini; dedication from Lorenzo Cocci (verso)

Inscriptions:
Recto, bottom margin in ink "All'em moer sig cardin. Lecorsini vescovo d'Arezzo …cocci"; Recto, bottom center in ink "Roma 1843"


Subject:
Ships Being Burnt on a Shore with Figures Nearby


Subject:
The Madonna and Child with St. Catherine

Inscriptions:
Recto, right in pencil "Carraggio"; Verso in ink "Roma 1843"


Subject:
A Soldier with a Nude Girl in a Landscape


Subject:
Design for a Monument to Louis XVI (with assorted documents)


Subject:
View from Via Garibaldi toward the Salute


Notes 2:
(Sisto Baldalacchio?, aft. drawing in PA Academy)


Subject:
Christ Among the Doctors:  Design for a Ceiling


Inscriptions:
Recto, bottom left in ink "Baltimore 1845 R.S."; Recto, bottom right in ink "Barrissimo"; On drawing "I. Panini Roma 1738"


Subject:
Juno Appearing to a Prince Surveying a Fleet

Medium:
Blck chalk, pen and brown ink, brown wash


Notes 2:
Formerly CIRCLE OF..See article in R.O. Peabody files (May 1996)


Inscriptions:
Recto, bottom right in ink "Roma 1843"; bottom right in pencil illegible, signature?


Medium:
Recto, charcoal pencil drawing; Verso, conte crayon drawing


Medium:
Ink drawing and ink wash over pencil sketch

Inscriptions:
Recto, bottom right in ink "Florence 1843"; Recto, bottom left in ink "Bertuzzi"


Subject:
Study for a Memorial to Marchesa Anna Rondaninia

Medium:
Pencil drawing and ink wash with white chalk highlights

Inscriptions:
Signed by artist; Recto, bottom left in pencil "Gilmore Collection"; in ink "Rome 1843"


Subject:
Design for the Decoration of a Door with a Landscape

Medium:
Ink drawing and watercolor with ink wash


Medium:
Black ink drawing and brown ink wash, lead white highlights


Subject:
4 Drawings on One Mount: A Dove and Cherubim


Subject:
8 Drawings on One Mount: Studies of the Virgin


Inscriptions:
Recto, bottom left in ink signed and dated "1754"


Subject:
St. James with a Picture of the Madonna and Child and other Figures


Subject:
An Allegory in Honor of a Cardinal of the Meici Family. Design for a Ceiling

Medium:
Black chalk, pen and brown ink, and gray wash


Subject:
An Allegory of Religion: Design for a Ceiling


Inscriptions:
Recto, bottom left in ink "Roma 1843; bottom right in pencil "Eugeni"


Subject:
Jupiter with Mars and Minerva: Design for a Ceiling


Inscriptions:
Recto, bottom right in ink "Roma 1843"; Verso, center in ink "Roma 1843"


Medium:
Pencil, pen and brown ink with brown and grey wash

Inscriptions:
Recto, bottom right  in ink "Roma 1843";  Verso, bottom righ in pencil, "18th c. Anon"; Verso, ceter in pencil "Roma 1843"


Subject:
God the Father and a Head [after Raphael]


Inscriptions:
Recto,bottom right in ink "Roma 1843"; Bottom center in pencil "St. Profeda" (?)


Medium:
Recto, ink drawing; Pencil and conte crayon on verso of secondary paper


Subject:
An Allegory with Two Queens and Flags Borne by Putti and a Genius


Medium:
Iron gall ink on recto and verso, pencil marks


Medium:
Black chalk, pen and black ink, squared in black chalk


Medium:
Recto, pencil drawing; Verso, pencil sketch


Medium:
Ink drawing and wash over pencil drawing

Inscriptions:
Recto, bottom left in ink "Roma 1843"; pencil, bottom right "Eugeni"; Verso, in ink "Eugeni NIS"


Inscriptions:
Recto, bottom right in penci "Rome 184…"; Verso, center in ink "Rome 1843"


Inscriptions:
Recto, bottom center in ink "U Bruno  Roma 1843"


Subject:
The Judgement of Solomon (recto); David (verso)


Subject:
A Statue of the Madonna and Child in an Apple Tree, with the Banishment of Evil


Subject:
The Virgin in Glory with the Trinity and St. Michael

Inscriptions:
Bottom right "Roma 1843"; Bottom left corner, artists signature "Domenicole Bruno"


Inscriptions:
Recto, bottom left in pencil "Rome 1843"; pencil drawing in verso


Subject:
The Madonna and Child Appearing to Five Saints


Medium:
Recto, charcoal pencil drawing: Verso, equestrial sketches in pencil


Inscriptions:
Recto, bottom left in ink "Roma 1843" and "Costanza"; Verso, bottom center in ink "Novilta" and "Rome 1843"


Subject:
A Statue of the Madonna and Child with the Trinity


Inscriptions:
Recto, bottom left in ink "Florence 1843"; Recto, bottom right in ink "Napori"


Medium:
Watercolor heightened with white, over etched outlines


Inscriptions:
signed and dated by artist, bottom right quadrant,  in pencil


Subject:
A Relief with Female Figure, Butterflies and a Dove at the Sides

Medium:
Watercolor with highlights attached to printed paper

Inscriptions:
signed and dated by the artist, bottom right quadrant


Artist:
CIRCLE OF FRANCESCO MONTELATICCI, CALLED CECCO BRAVO


Inscriptions:
Recto, bottom right in pencil "Canora" (?)


Medium:
Red and brown chalk, and charcoal pencil


Inscriptions:
Recto, bottom left in ink "Florence 1843"; Recto, bottom right in ink "Firatelli"


Inscriptions:
Recto, bottom left in ink, the artist's name; Bottom right in pencil "Chilone Venice"


Inscriptions:
Recto, bottom left in ink "S. Marta"; in pencil "Chilone Venice"


Inscriptions:
Title in ink under the image; Bottom right "Rome 1843"


Inscriptions:
Title in ink under the image; Bottom right "Roma 1843


Subject:
Park Landscape with River, Town in Background


Inscriptions:
Title in ink under the image; Bottom right "Roma 1843"


Medium:
Ink drawing and ink wash with highlights


Inscriptions:
signed and dated by artist, bottom right quadrant


Medium:
Watercolor heightened with white on blue paper


Medium:
Pencil, brown wash heightened with white


Inscriptions:
Recto, bottom left in ink "Brunno 1750"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom right in ink "Florence 1843"; Bottom left in ink, fragment of a signature; Verso "1426"


Subject:
The Aldobrandini Wedding [after the Antique]


Inscriptions:
Recto, bottom left in ink "Florence 1843"; Bottom center in red chalk "Religione"


Inscriptions:
Recto, bottom center and bottom right in ink signed by artist (?) "Domenico Bruno" (?) "Roma"


Medium:
Pencil heightened with white on brown paper


Subject:
The Virgin in Prayer (recto); Part of the Last Judgement (verso)


Inscriptions:
Recto, bottom left in ink "Giulio Romano 1492 - 1546" "Roma 1843"; Recto, bottom righ in brown ink "Giulio can…"


Subject:
Design for a Monument: Marcgese of the Bourbon del Monte Family


Medium:
Pencil, iron all ink, ink wash watercolor


Medium:
Brush and brown ink and wash, heightened with white


Subject:
A Woman with Two Maids Carrying her Train


Medium:
Ink and conte crayon drawing with ink wash

Inscriptions:
Recto, center in ink "Roma 1843"; Along verticle central line in ink "pnl 17 1/4"


Subject:
2 Drawings: Putti: for a Frontispiece to Vasari's 'Vite'


Subject:
9 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Measurements:
Mount: 605 x 457 mm.; drawings: 111 x 72 mm. (approx.)


Inscriptions:
Recto, bottom left corner in ink "del Paperoti"; Bottom right quadrant edge in ink "Roma 1843"; Verso, random inscriptions


Subject:
10 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Measurements:
Mount: 599 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Measurements:
Mount: 603 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Subject:
The Interior of a Deconsecrated Church seen through a Door


Subject:
The Infant Samuel [after Sir Joshua Reynolds]


Subject:
The Sacrifice of a Lamb: Frontispiece Design

Medium:
Blue wash heightened with white on blue preparation


Inscriptions:
Recto, bottom right in ink "Paris 1843"; Recto, bottom left in pencil "Remi Cantagallina"


Medium:
Ink drawing and wash over pencil or charcoal

Inscriptions:
Recto, bottom right in Ink "Roma 1843"; Center left in ink, portion of signature cut off


Inscriptions:
Recto, bottom  in ink "Pensiero originale del Caraliere"


Subject:
A Classical Scene (recto); a Goddess (verso)

Medium:
Ink drawing and gray ink wash and pencil (verso)


Inscriptions:
Recto, bottom left in  ink "J I Giotino"; Recto, bottom right in ink "Florence 1843"


Subject:
Figure Study: 'Fragment Study for D.O. Mills Frieze'


Subject:
56 Drawings: Portfolio of Sketches made in Europe and the Middle East,


Medium:
Pen and brush and brown ink, watercolor over black chalk


Subject:
Sottoportego del partio dei Bijali, Venice

Inscriptions:
Recto, top center in ink "Sotoportico del partia dei Bijati alla Calcina"; Recto, bottom right in ink initials?


Subject:
Portrait of a Child: Young Boy in Bow Tie


Subject:
Figure Study: 'Drawing for Illustration'


Inscriptions:
Recto, bottom right in ink "Roma 1843"; Ink of Lamb of God attached to verso


Medium:
Red chalk and watercolor, heightened with white


Inscriptions:
signed and dated by artist in watercolor, bottom center


Subject:
Figures with a Bull, a Hare, and a Pig [after the Antique]

Inscriptions:
Recto, bottom right in ink "Roma 1843"; Recto, bottom left in pencil "Costumes of


Medium:
Ink drawing and wash with some pencil marks

Inscriptions:
Bottom center in ink "Chilone"; Right in pencil "Chilone"


Subject:
Portrait of a Child in Close Fitting Cap


Subject:
The Madonna del Giglio Appearing to Two Saints


Inscriptions:
Recto, bottom righ in ink "Roma 1843"; below, the artists original signature, illegible


Inscriptions:
Recto, bottom left in ink  "Chilone Venice"


Notes:
Roman ruin along a road with caravan on camels


Notes:
Ruins in landscape, hill fortress behind


Subject:
Scene of 'Wady Kahan' ('Chain of Mountains'); Landscape with Camels (verso)


Subject:
Study of Hills (recto); Study of Egyptian Ruins, with Hieroglyphics


Notes:
Village and mosque, ruins behind; study of donkey at lower left


Subject:
Portrait of a Judge; verso with nude study


Notes:
Figure standing in front of Roman temple ruin


Notes:
Base of Roman frieze, native sitting next to it


Subject:
Title Page for the Tragedies of Aeschylus

Inscriptions:
Recto, bottom right in ink signed by artist "J. Flaxman"


Notes:
Tuesday 8 March 1842. 3 mounted horsemen in a landscape


Notes:
Wednesday 9 March 1842. Figures in front of a tree


Notes:
4 native figures, 1 with rifle, sitting on the bank of the Nile, village and boats beyond


Notes:
Dessert and mountain landscape. Tuesday 8 March 1842


Notes:
Monday morning 7 March 1842. Caravan scene

Notes 2:
Upper left corner separated from rest of sheet


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Bottom right in pencil :Coyped 1628-1707


Medium:
Pencil, pen and brown ink, heightened with white


Subject:
Guido sent by Livia (recto); Antonius (verso)

Medium:
Pen and brown ink, brown wash, heightened with ehite


Subject:
A Woman with her Dog [in the manner of Metso]


Subject:
Woman Bathing in the Courtyard of a Harem


Subject:
A Sick Woman in a Garret with Her Relations


Inscriptions:
Verso, bottom center in pencil "Een….." and "een……"


Subject:
Partridge Island, St. John's Island, Bay of Fundy


Artist:
CIRCLE OF ANTOINE CHARLES HORACE (CARLE) VERNET


Subject:
A Mother and Daughter by a Grave, beside a Alpine Lake


Medium:
Pen and brown ink, watercolor heightened with white


Inscriptions:
Recto, bottom in ink illegible; Note on mat "Crozat Collection 2289"


Derivation:
After Adam Frans van der Meuler (Belgian, died 1690)


Inscriptions:
Recto, bottom left in ink "Callot 1593-1635"; Recto, bottom right in ink "Roma 1843"


Derivation:
After Corrado Giaquinto (Italian, 1690-1765)

Medium:
Brown wash heightened with white on gray preparation


Inscriptions:
Recto, bottom left in ink signed by artist and dated "1837"


Inscriptions:
Recto, bottom in ink "Arcanjo Fresquini 1786" "Roma 1843"


Subject:
Suffer the Little Children to Come unto Me


Subject:
An Owl, Birds  and a Kite above Chimney Stacks and a Spire


Derivation:
After Paolo Veronese (Italian, 1528-1588)

Inscriptions:
Recto, bottom left in ink "Florence 1843 Spagnuletto"


Derivation:
After Louis De Boullogne, Elder or Younger (Italian, 1609-1674 or 1654-1733)


Subject:
S. Maria della Salute, Venice (recto); S. Gervasio e Protasio (verso)

Medium:
Black chalk, pen and brown ink, gray wash, heightened with white


Inscriptions:
Recto, bottom right signed and dated by the artist "J. Newton Fielding 1824"


Inscriptions:
Recto, bottom left in ink over pencil "Zuccaro 1529-1566"; Recto, bottom right in ink "Roma 1843", "Zacaro"


Medium:
Pencil, pen and black ink, and watercolor heightened with white


Artist:
CIRCLE OF HENRY FUSELI [JOHANN HEINRICH FÜSSLI]


Medium:
Pen and brown ink, watercolor, heightened with white


Subject:
Chapelle de Rosny (inscribed date, unknown)


Subject:
Cartouche for Framing an Earlier Portrait of a Woman


Derivation:
After Ryamond De La Fage (French, 1650-1684)


Medium:
Charcoal  drawing on recto, ink and pencil sketch on verso

Inscriptions:
Recto, bottom left in ink "Chidorne"; Bottom right in ink "Venice 1843"


Inscriptions:
Recto, bottom left in pencil "Giuseppe Lopez"; Recto, bottom right in ink "Roma 1843"


Medium:
Black chalk, gray wash heightened with white, squared


Medium:
Watercolor heightened with white on brown paper


Subject:
Costumes at Pera: Two Figures, One in Green Costume and Blue Sash


Subject:
Costumes at Pera: Figure in Tall Black Hat, wearing Blue Cloak


Derivation:
After Denys Calvaert (Flemish, 1540-1619)


Subject:
Costumes at Pera: Two Figures wearing Cloaks and Head Wrappings


Subject:
Costumes at Pera: Three Figures, Two wearing Fezzes


Subject:
Costumes at Pera: Figure wearing Tall Green Hat and Red Cloak, Carrying a Pipe(?)


Subject:
A Girl with a Doll on Steps, Seen through a Door

Medium:
Red chalk, pen and brown ink, gray wash, heightened with white


Subject:
Castle Near the Coast (Cattle and Shepherds in Landscape)


Medium:
Black lead, pen and brown ink, blue and gray wash


Medium:
Red and black chalk, heightened with white


Subject:
An Angler on a River Seen through a Natural Arch


Medium:
Red sanquine, ink drawing and wash, white chalk

Inscriptions:
Recto, bottom left in ink "Florence 1843" "Guereano (?) 1590-1669"


Medium:
Pen and black ink, gray wash, heightened with white


Medium:
Black chalk, pen and brown ink, gray wash


Artist:
ATTR. TO GIOVANNI-BATTISTA BUSIRI (OR BUSIERI)

Inscriptions:
Recto, bottom right in ink "Baltimore 1845 bo RS"


Artist:
ATTR. TO FERDINAND VICTOR EUGENE DELACROIX


Subject:
The Virgin in Glory: Design for a Ceiling

Medium:
Ink drawing and wash over charcoal sketch


Subject:
The Assumption of the Virgin. Design for a Ceiling (recto/verso)

Medium:
Pencil and ink drawing, gray ink wash (Black ink knitted with white gouache)


Notes 2:
Attr. changed 8/9/90 by Lindsay Stainton, Asst Keeper British Mus.; previously attributed to Mortimer


Subject:
Fame Scattering Flowers: A Masque Design

Inscriptions:
Recto, bottom edge left in ink "Cechino Solniage (?);Recto, bottom edge right in ink "Florence 1847"; Verso, various inscriptions in pencil and ink


Medium:
Pencil and watercolor, heightened with white


Artist:
ATTRIB. TO JEAN PIERRE-LOUIS-LAURENT HOUEL


Artist:
ATTR. TO LODEWIJK TOEPUT, IL POZZOSERRATO


Medium:
Charcoal pencil and white chalk highlights

Inscriptions:
Recto, bottom left in ink "Foma 1843"; On mat "Gilmore Collection"


Inscriptions:
Recto, left in ink "Ribera"; Recto, right in ink "Roma 1843"; Bottom center. Large pencil dates


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Bottom right in pencil "1781-1835"


Artist:
ATTR. TO LOUIS DE BOULLOGNE, ELDER OR YOUNGER

Medium:
Red chalk, pen and brown ink, brown wash, heightened with white


Measurements:
Mount: 602 x 453 mm.; drawings: 111 x 72 mm. (approx.)


Subject:
Village on a River, Boatman in Foreground


Inscriptions:
Recto, bottom center in pencil title and date


Subject:
Studies for a Classical Composition (recto/verso)


Subject:
View of the Bacino di S. Marco from the  Riva degli Schiavone


Subject:
A Distant View of Vesuvius and Peasant Woman Dancing


Medium:
Pen and black ink, gray wash, heightened with white on brown paper


Subject:
A Fountain in Terraced Garden, a Castle Beyond


Subject:
Sketchbook: Views and Studies made in Italy, Sicily, Greece, Egypt, and Malta


Subject:
The Entombment [after a drawing by Raphael]


Subject:
Sketchbook: Views and Studies made in Italy and elsewhere on the Continet


Subject:
Sketchbook: Views of the Lake District and elsewhere


Subject:
John P. Kennedy House, Mount Vernon Place


Subject:
Sketchbook: Views and Studies made in Italy and elsewhere


Subject:
The Assumption of the Virgin, a Roundel Borne by Angels

Medium:
Red wash heightened with white (oxidized)


Derivation:
After Gillis Sadeler (Belgian, 1570-1629)


Subject:
European City with Arched Gate, Children Playing in Road


Subject:
A Fotress in Pomerania, Beseiged by the Imperial Army under Conte ?


Medium:
Pen and brown ink, blue and gray wash on gray paper


Inscriptions:
Pencil sketches on verso and ink wash on verso


Subject:
General John Eager Howard's Residence on McKim's Hill

Inscriptions:
Verso in pencil, sketch and lettering; Recto, bottom center in ink "Baltimore 1845"


Subject:
A Sketch Book of Designs for Religios and Historical Compositions, Studies after the Antique, and Life


Subject:
Pair of Head Studies: Young Man and Girl


Subject:
Portrait of a Young Girl with Wreath of Leaves and Berries in her Hair


Subject:
Portrait of a Woman with Laurel(?) Wreath in her Hair


Medium:
Black and white chalk on gray preparation


Inscriptions:
Recto, along bottom in ink "Carlo Maratti 1629 - 1713"; Recto, bottom right in ink "Roma 1843"


Derivation:
After Federico Barocci (Italian, died 1612)

Inscriptions:
Recto, bottom left in ink "Baroccio"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Recto, bottom right in ink "Salvator Rosa"


Subject:
Profile Portrait of a Woman in Fancy Hat [manner of Sir Joshua Reynolds]


Subject:
Landscape Studies of Egypt (recto/verso)


Inscriptions:
Recto, bottom in ink "Florence 1843"; Initials ??); Top left, initials and old catalogue number; Verso, text in Italian,


Inscriptions:
Recto, bottom right in ink "Roma 1843"; Bottom left in pencil artist's name and date


Derivation:
After Francesco Albani (Italian, 1578-1660)

Inscriptions:
Recto, bottom left in ink "Roma 1843"; Inscription in ink on secondary paper


Inscriptions:
Recto, bottom right in pencil "Buroi'u'" (?)


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Recto, bottom left in pencil "Luca Giordano 1632-1705; Bottom right corner in pencil, signature partially covered by glue


Subject:
Christ with Two Angels (recto); The Brazen Serpent (verso)

Inscriptions:
Recto, bottom left in ink "Baltimore 1845-60 R.S. (or G)"; Recto, bottom right in ink "Jacob di Panto (?)" partially cut off


Inscriptions:
Recto, bottom in ink "Roma 1843"; Recton , bottom in pencil "Georgia di Modena"


Inscriptions:
Bottom left in ink "Giulio Romano"; Bottom, right "Baltimore 1845 -1860"; Bottom center "From the Collection of Sir Edward Astley R. G."


Inscriptions:
Recto, bottom right in ink "Spagnuletto"; Bottom right in pencil "Ribera 1580-1656"; Right and left in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Sadler 1550-1629"; Recto, right in ink "Baltimore 1865-60"


Inscriptions:
Recto, bottom left in ink "A. Caracci (?)"; in pencil "1560-1609"; Recto, bottom right in ink "Baltimore 1845 - 60 RS"


Subject:
Silenus and other studies (recto); The Nativity (verso)


Inscriptions:
Recto, bottom left and right in pencil "Giulio Romano 1492-1546"


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Verso, center in ink "Rome 1843"


Medium:
Ink drawing with wash over pencil sketch; trace of sanguine

Inscriptions:
Recto, bottom left in ink "Cantarini dit de desarese" (?)


Medium:
Watercolor heightened with white on blue toned paper


Medium:
Watercolor heightened with white on light blue paper


Medium:
Watercolor; pencil study of a torso on verso


Subject:
The Angel Appearing to Saint Peter in Prison (recto)

Medium:
Ink drawing and wash, pencil grid over drawing

Inscriptions:
Recto, bottom right "Florence 1843"; in latin or Italian , illegible


Subject:
Botanical Study: Pink Flowers of Small Branch


Subject:
Botanical Study: Hibiscus and Other Flowers

Medium:
Watercolor heightened with white on light brown paper


Inscriptions:
drawing/sketch in pencil on recto and verso


Subject:
Botanical Study: Pink Flowers of a Branch


Medium:
Ink drawing and ink wash over pencil. Ink sketch on verso

Inscriptions:
Recto, bottom left in ink "Roma 1843"; Recto, bottom right in ink "Franceschini"


Medium:
Charcoal and graphite pencil with chalk highlights


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Recto, bottom right in ink "1621" and name in pencil


Inscriptions:
Recto, bottom righ in ink "Florence 1843"; Recto, bottom cneter in pencil "Benetagio"


Inscriptions:
Recto, bottom center in ink "NK" or "MK" (artist's initials?); Recto, bottom left "1110, Catalogue", "Fiessi 1590-1649", "Roma 1843"


Medium:
Black chalk on gray (originally blue) paper


Inscriptions:
Recto, bottom left in ink "Roma 1843"; Recto, bottom right in pencil fragment of a signature (?)


Inscriptions:
Recto, bottom right in ink "Florence 1843; Bottom center, faint pencil markings could be artist's signature


Inscriptions:
Recto, bottom left in ink "Franceschini Florence 1843"


Inscriptions:
Recto, bottom left in ink "Zuddeo Lueiaro 1529-1566"; Recto, bottom right in ink "Roma 1843"


Inscriptions:
Recto, bottom left in ink "Rome 1843"; bottom right in pencil (1781-1835 B. Pinelli"


Inscriptions:
Recto, bottom left in ink "Rome 1843"; Recto, bottom right in pencil "1781-1835 B. Pinelli"


Inscriptions:
Recto, bottom left in ink "Polidoro Caldane du Cararaggio 1495 - 1543"; Recto, bottom right in ink "Roma 1843"


# Peabody_wop_backup

Field58:
The Peabody Art Collection. Courtesy of the Maryland Commission on Artistic Property of the Maryland State Archives, on loan to The Baltimore Museum of Art MSA SC 4680-13-0000


Field8:
RM3 WORK TABLE//RM3 OS-03/R (RIGHT): PB-06


Field35:
The Fortune Teller (inscribed date, unknown)


Field35:
Oeuvres de Clermont: Group of Woman and Children

Field48:
Black chalk, pen and brwon ink, brown wash


Field48:
Pen and brown ink, gray wash heightened with white


Field35:
A Monk with a Donkey on a Mountain Track

Field48:
Pen and brown ink, brown wash, heightened with white


Field92:
Artist/medium/date per label copy (LCM/9-5-95)


Field35:
A Drummer and Other Calvarymen [previously attributed to Van Der Meulen]


Field48:
Black chalk, pen and black ink on brown paper


Field16:
LANCELOT THEODORE COMTE DE TURPIN DE CRISSE


Field48:
Black chalk, pen and brown ink, brush and wash


Field48:
Pen and brown ink, gray, blue and purple wash


Field48:
Black chalk, pen and gray ink, gray wash


Field48:
Black chalk, pen and brown ink, brown wash


Field35:
A Woman with a Spindle and other People near a Tree


Field48:
Black chalk, pen and brown ink, gray wash


Field35:
Palestine. Jerusalem, view of Mt. Zion...


Field35:
Study of Three Heads after the 'Sabines,' Repetition Libres des Sabines


Field47:
October 22 1841. Small caravan crossing bridge, figure seated on stool in foreground


Field35:
Nile. Nubia. Wady Halfa...above the 2nd cataract


Field35:
Turkey. Asia Minor...Aquaducts over the Meles


Field47:
October 1841. River scene with tall ships and port


Field47:
Tuesday 15 March 1842. Lake, mountains, figures mounted on camels


Field35:
Pensinula of Sinai...after leaving our campground at the Palms


Field35:
Pensinula of Sinai. The Rock of Moses...


Field47:
Ruins in foreground, valley and hills behind

Field79:
Paper torn, edges very brittle with losses


Field35:
The Walls of Rome with the Pyramid of Cestus


Field47:
Two Greek columns in forground, trees and hills behind


Field47:
Fortress on hill, grove of trees in forground


Field47:
Interior of cave/rock formation with figures, horse, donkey


Field47:
Two men and their horses resting at the site of ruins


Field35:
Desert of...Petra. Setting out from Akaba


Field47:
Native peoples at a house, 1 horse, hills behind


Field47:
'Baalbec...door of the Temple of the Sun...20th May 1842'

Field59:
'Baalbec...door of the Temple of the Sun...20th May 1842'


Field16:
JACOPO CHIMENTI (A.K.A. JACOPO DA EMPOLI)

Field35:
The Madonna and Child (recto); and Arm (verso)


Field47:
Oct. 22 1841. Paved mountain road with aquaduct


Field47:
Greek/Roman ruins, valley and hills behind


Field35:
Saint Anthony of Padua and Another Saint


Field35:
A Man in 16th Century Costume with his Son


Field48:
Pen and brown ink, gray wash, squared in black chalk


Field48:
Black chalk, pen and black ink, brown wash


Field29:
After Carlo Maratti (Italian, 1625-1713)


Field35:
A Martyrdom (recto); Studies of the Annunciation in the manner of Trevisani (verso)


Field48:
Black chalk, pen and brown ink with grey wash


Field35:
The Madonna and Child in a Frame with Putti

Field79:
Arms of Corsini; dedication from Lorenzo Cocci (verso)


Field35:
Ships Being Burnt on a Shore with Figures Nearby


Field35:
The Madonna and Child with St. Catherine


Field35:
A Soldier with a Nude Girl in a Landscape


Field35:
Design for a Monument to Louis XVI (with assorted documents)


Field35:
View from Via Garibaldi toward the Salute


Field79:
(Sisto Baldalacchio?, aft. drawing in PA Academy)


Field35:
Christ Among the Doctors:  Design for a Ceiling


Field35:
Juno Appearing to a Prince Surveying a Fleet

Field48:
Blck chalk, pen and brown ink, brown wash


Field8:
RM3 OS-04/J (RIGHT): PB-21//RM3 OS-03/S (RIGHT): PB-07//CONS

Field79:
Formerly CIRCLE OF..See article in R.O. Peabody files (May 1996)


Field35:
Study for a Memorial to Marchesa Anna Rondaninia

Field48:
Red and black chalk heightened with white


Field35:
Design for the Decoration of a Door with a Landscape


Field35:
4 Drawings on One Mount: A Dove and Cherubim


Field35:
8 Drawings on One Mount: Studies of the Virgin


Field35:
St. James with a Picture of the Madonna and Child and other Figures


Field35:
An Allegory in Honor of a Cardinal of the Meici Family. Design for a Ceiling

Field48:
Black chalk, pen and brown ink, and gray wash


Field35:
An Allegory of Religion: Design for a Ceiling


Field35:
Jupiter with Mars and Minerva: Design for a Ceiling


Field35:
God the Father and a Head [after Raphael]


Field35:
An Allegory with Two Queens and Flags Borne by Putti and a Genius


Field48:
Black chalk, pen and black ink, squared in black chalk


Field48:
Black chalk and pastel, brown wash, heightened with white


Field35:
The Judgement of Solomon (recto); David (verso)


Field35:
A Statue of the Madonna and Child in an Apple Tree, with the Banishment of Evil


Field35:
The Virgin in Glory with the Trinity and St. Michael


Field35:
The Madonna and Child Appearing to Five Saints


Field35:
A Statue of the Madonna and Child with the Trinity


Field48:
Watercolor heightened with white, over etched outlines


Field35:
A Relief with Female Figure, Butterflies and a Dove at the Sides


Field16:
CIRCLE OF FRANCESCO MONTELATICCI, CALLED CECCO BRAVO


Field35:
Park Landscape with River, Town in Background


Field48:
Pen and gray ink, gray wash, heightened with white


Field48:
Watercolor heightened with white on blue paper


Field48:
Pencil, brown wash heightened with white


Field35:
The Aldobrandini Wedding [after the Antique]


Field48:
Pencil heightened with white on brown paper


Field35:
The Virgin in Prayer (recto); Part of the Last Judgement (verso)


Field48:
Pen and brown ink, brown wash, heightened with white on blue paper


Field35:
Design for a Monument: Marcgese of the Bourbon del Monte Family


Field48:
Brush and brown ink and wash, heightened with white


Field35:
A Woman with Two Maids Carrying her Train


Field48:
Pen and brown ink, brown wash, squared in red chalk


Field35:
2 Drawings: Putti: for a Frontispiece to Vasari's 'Vite'


Field35:
9 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Field55:
Mount: 605 x 457 mm.; drawings: 111 x 72 mm. (approx.)


Field35:
10 Jury Sketches: Portrait Studies executed in the Baltimore Court House

Field55:
Mount: 599 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Field48:
Black, red, pink, and white chalk on light brown paper


Field55:
Mount: 603 x 456 mm.; drawings: 111 x 72 mm. (approx.)


Field35:
The Interior of a Deconsecrated Church seen through a Door


Field35:
The Infant Samuel [after Sir Joshua Reynolds]


Field35:
The Sacrifice of a Lamb: Frontispiece Design

Field48:
Blue wash heightened with white on blue preparation


Field35:
A Classical Scene (recto); a Goddess (verso)


Field35:
Figure Study: 'Fragment Study for D.O. Mills Frieze'


Field35:
56 Drawings: Portfolio of Sketches made in Europe and the Middle East,


Field48:
Pen and brush and brown ink, watercolor over black chalk

Field92:
Title/medium/date change per label copy 9/5/95 lcm.


Field35:
Sottoportego del partio dei Bijali, Venice

Field48:
Pencil, pen and brown ink, and watercolor


Field35:
Portrait of a Child: Young Boy in Bow Tie


Field35:
Figure Study: 'Drawing for Illustration'


Field48:
Red chalk and watercolor, heightened with white


Field35:
Figures with a Bull, a Hare, and a Pig [after the Antique]

Field48:
Black chalk, brown wash, heightened with white


Field35:
Portrait of a Child in Close Fitting Cap


Field35:
The Madonna del Giglio Appearing to Two Saints


Field47:
Roman ruin along a road with caravan on camels


Field47:
Ruins in landscape, hill fortress behind


Field35:
Scene of 'Wady Kahan' ('Chain of Mountains'); Landscape with Camels (verso)


Field35:
Study of Hills (recto); Study of Egyptian Ruins, with Hieroglyphics


Field47:
Village and mosque, ruins behind; study of donkey at lower left


Field35:
Portrait of a Judge; verso with nude study


Field47:
Figure standing in front of Roman temple ruin


Field47:
Base of Roman frieze, native sitting next to it


Field35:
Title Page for the Tragedies of Aeschylus


Field47:
Tuesday 8 March 1842. 3 mounted horsemen in a landscape


Field47:
Wednesday 9 March 1842. Figures in front of a tree


Field47:
4 native figures, 1 with rifle, sitting on the bank of the Nile, village and boats beyond


Field47:
Dessert and mountain landscape. Tuesday 8 March 1842


Field47:
Monday morning 7 March 1842. Caravan scene

Field79:
Upper left corner separated from rest of sheet


Field48:
Pencil, pen and brown ink, heightened with white


Field35:
Guido sent by Livia (recto); Antonius (verso)

Field48:
Pen and brown ink, brown wash, heightened with ehite


Field35:
A Woman with her Dog [in the manner of Metso]


Field35:
Woman Bathing in the Courtyard of a Harem


Field35:
A Sick Woman in a Garret with Her Relations


Field35:
Partridge Island, St. John's Island, Bay of Fundy


Field16:
CIRCLE OF ANTOINE CHARLES HORACE (CARLE) VERNET


Field35:
A Mother and Daughter by a Grave, beside a Alpine Lake


Field48:
Pen and brown ink, watercolor heightened with white


Field29:
After Adam Frans van der Meuler (Belgian, died 1690)


Field8:
CHERYL-TEMP BOX//RM3 OS-03/S (RIGHT): PB-07


Field29:
After Corrado Giaquinto (Italian, 1690-1765)

Field48:
Brown wash heightened with white on gray preparation


Field8:
CHERYL-TEMP BOX//FF-02/L//RM3 OS-03/S (RIGHT): PB-07


Field35:
Suffer the Little Children to Come unto Me


Field35:
An Owl, Birds  and a Kite above Chimney Stacks and a Spire


Field29:
After Paolo Veronese (Italian, 1528-1588)


Field29:
After Louis De Boullogne, Elder or Younger (Italian, 1609-1674 or 1654-1733)


Field35:
S. Maria della Salute, Venice (recto); S. Gervasio e Protasio (verso)

Field48:
Black chalk, pen and brown ink, gray wash, heightened with white


Field8:
RM3 OS-03/S (RIGHT): PB-07//RM3 OS-03/S (RIGHT): PB-07


Field48:
Pencil, pen and black ink, and watercolor heightened with white


Field16:
CIRCLE OF HENRY FUSELI [JOHANN HEINRICH FÜSSLI]

Field92:
Name/nationality changed per PDP 5/22/00 (lcm)


Field48:
Pen and brown ink, watercolor, heightened with white


Field35:
Chapelle de Rosny (inscribed date, unknown)


Field35:
Cartouche for Framing an Earlier Portrait of a Woman


Field29:
After Ryamond De La Fage (French, 1650-1684)


Field48:
Brown chalk, pen and brown ink, grey wash


Field48:
Black chalk, gray wash heightened with white, squared


Field48:
Watercolor heightened with white on brown paper


Field35:
Costumes at Pera: Two Figures, One in Green Costume and Blue Sash


Field35:
Costumes at Pera: Figure in Tall Black Hat, wearing Blue Cloak


Field29:
After Denys Calvaert (Flemish, 1540-1619)


Field35:
Costumes at Pera: Two Figures wearing Cloaks and Head Wrappings


Field35:
Costumes at Pera: Three Figures, Two wearing Fezzes


Field35:
Costumes at Pera: Figure wearing Tall Green Hat and Red Cloak, Carrying a Pipe(?)


Field35:
A Girl with a Doll on Steps, Seen through a Door

Field48:
Red chalk, pen and brown ink, gray wash, heightened with white


Field35:
Castle Near the Coast (Cattle and Shepherds in Landscape)


Field48:
Black lead, pen and brown ink, blue and gray wash


Field48:
Red and black chalk, heightened with white


Field35:
An Angler on a River Seen through a Natural Arch


Field48:
Pen and black ink, gray wash, heightened with white


Field16:
ATTR. TO GIOVANNI-BATTISTA BUSIRI (OR BUSIERI)


Field16:
ATTR. TO FERDINAND VICTOR EUGENE DELACROIX


Field35:
The Virgin in Glory: Design for a Ceiling

Field48:
Black chalk, pen and brown ink, gray wash, squared in black


Field35:
The Assumption of the Virgin. Design for a Ceiling (recto/verso)


Field79:
Attr. changed 8/9/90 by Lindsay Stainton, Asst Keeper British Mus.; previously attributed to Mortimer


Field35:
Fame Scattering Flowers: A Masque Design

Field48:
Black chalk, pen and brown ink, and watercolor


Field48:
Pencil and watercolor, heightened with white


Field92:
Artist/title per label copy (LCM/9-5-95)


Field16:
ATTRIB. TO JEAN PIERRE-LOUIS-LAURENT HOUEL

Field92:
Artist/title/date/medium per label copy 9/6/95 LCM


Field16:
ATTR. TO LODEWIJK TOEPUT, IL POZZOSERRATO


Field16:
ATTR. TO LOUIS DE BOULLOGNE, ELDER OR YOUNGER

Field48:
Red chalk, pen and brown ink, brown wash, heightened with white


Field55:
Mount: 602 x 453 mm.; drawings: 111 x 72 mm. (approx.)


Field35:
Village on a River, Boatman in Foreground


Field35:
Studies for a Classical Composition (recto/verso)


Field35:
View of the Bacino di S. Marco from the  Riva degli Schiavone


Field35:
A Distant View of Vesuvius and Peasant Woman Dancing


Field48:
Pen and black ink, gray wash, heightened with white on brown paper


Field35:
A Fountain in Terraced Garden, a Castle Beyond


Field35:
Sketchbook: Views and Studies made in Italy, Sicily, Greece, Egypt, and Malta


Field35:
The Entombment [after a drawing by Raphael]


Field35:
Sketchbook: Views and Studies made in Italy and elsewhere on the Continet


Field35:
Sketchbook: Views of the Lake District and elsewhere


Field35:
John P. Kennedy House, Mount Vernon Place


Field35:
Sketchbook: Views and Studies made in Italy and elsewhere


Field35:
The Assumption of the Virgin, a Roundel Borne by Angels

Field48:
Red wash heightened with white (oxidized)


Field29:
After Gillis Sadeler (Belgian, 1570-1629)


Field35:
European City with Arched Gate, Children Playing in Road


Field35:
A Fotress in Pomerania, Beseiged by the Imperial Army under Conte ?


Field48:
Pen and brown ink, blue and gray wash on gray paper


Field35:
General John Eager Howard's Residence on McKim's Hill


Field35:
A Sketch Book of Designs for Religios and Historical Compositions, Studies after the Antique, and Life


Field35:
Pair of Head Studies: Young Man and Girl


Field35:
Portrait of a Young Girl with Wreath of Leaves and Berries in her Hair


Field35:
Portrait of a Woman with Laurel(?) Wreath in her Hair


Field48:
Black and white chalk on gray preparation


Field48:
Red chalk, pen and brown ink, brown wash


Field29:
After Federico Barocci (Italian, died 1612)


Field48:
Red chalk, pen and brown ink, red and gray wash


Field35:
Profile Portrait of a Woman in Fancy Hat [manner of Sir Joshua Reynolds]


Field35:
Landscape Studies of Egypt (recto/verso)


Field29:
After Francesco Albani (Italian, 1578-1660)


Field35:
Christ with Two Angels (recto); The Brazen Serpent (verso)


Field48:
Black chalk, pen and brown ink, grey wash


Field48:
Pen and brown ink, brown wash on gray paper


Field48:
Pen and brown ink, heightened with white on brown paper


Field48:
Black and white chalk on pink preparation


Field35:
Silenus and other studies (recto); The Nativity (verso)


Field48:
Watercolor heightened with white on blue toned paper


Field48:
Watercolor heightened with white on light blue paper


Field48:
Watercolor; pencil study of a torso on verso


Field35:
The Angel Appearing to Saint Peter in Prison (recto)

Field48:
Pen and brown ink, brown wash, squared in black chalk


Field35:
Botanical Study: Pink Flowers of Small Branch


Field35:
Botanical Study: Hibiscus and Other Flowers

Field48:
Watercolor heightened with white on light brown paper


Field35:
Botanical Study: Pink Flowers of a Branch


Field48:
Black and white chalk, squared in blue chalk on blue paper


Field48:
Black chalk on gray (originally blue) paper


Field48:
Pen and brown ink, squared in black chalk


